Review: Nem's Garden Moratorium

Haven't done an album review for a while, but Nem's Moratorium is completely justified in having it's own post. I didn't realise this was out until I was searching for lyrics and stumbled upon a site announcing its release.

Anyhow, the album - Nem's Garden Moratorium. I won't say I was a huuuuge Nem fan prior to listening to this album, but I do like quite a lot of the songs he wrote and composed (Scissorhands, Somatic Delusion, Summer Rain etc). So let's start with an intro to the tracks:

1. カノン
2. Ophelia
3. 嗚呼、素晴らしきニャン生
4. virjin suicides
5. ネバーランド
6. Somatic Delusion
7. シザーハンズ
8. 名前をください
9. サマーレイン
10. 宵闇のアウグスティン
11. スターマイン
12. 予感
13. さようなら
14. 楽園
15. あやつりピエロと君の歌

There are quite a number of songs which I've never heard before on this album, and I find myself liking each composition, which is relatively rare for me. Utaite featured in this album: Amu, Miichan, Dasoku, Ren, Faneru, Gero, Clear, Nero, Asamaru and Jack. Nata chips in for chorus and voicing for some of the songs. I've gotta say this album's got quite the lineup, given that each of these utaite are powerhouse names in their own rights, with large fanbases. I was really looking forward to listening to the album when I first saw the lineup.

カノン by amu

This is the first time I've listened to Kanon, and it's a very cute song. The composition was upbeat, with a bright melody, and with Amu at the vocals, I think the cute factor was amplified by 100 times. The high parts are just adorable with Amu's range, and the verses sound just as good, playing on Amu's slightly nasal tone with the lower end of his range. It didn't particularly stick with me, though, so this is one of those songs I'll only want to hear on occasion.

Ophelia by みーちゃん

I first heard Ophelia by Dasoku in 4x4, so I had high hopes for this song given that Miichan's voice profile belongs in a similar category (note: eroi) XD I would say it was pretty enjoyable since Miichan's voice is a lot more versatile than Dasoku's. I say this objectively coz I'm usually biased to Dasoku lol. Miichan's vocals were stronger here, giving the song a less erotic, but more resounding feeling. A refreshing change from Dasoku's breathy eroi version.

嗚呼、素晴らしきニャン生 by amu & みーちゃん

I heard the original Vocaloid for this, and listening to Michamu singing this is like...perfect! I love how the album fully used the "married vocal couples" for all the duets, and I think the vocal profiles of Amu and Miichan for this song are well-suited. While the original song was just full of cute, Miichan gave Len's parts a lot more maturity and depth, while Amu made Gumi's parts sound really sweet, all the while keeping the song's original cuteness intact. But since I haven't heard any other covers for this song yet, I can't quite compare.

virgin suicides by 蛇足

First listen was clear and Miichan's ver in 4x4. Like in his version of Ophelia, Dasoku somehow managed to make this song sound more soulful than I had initially expected this to be. While I really like the duet between Clear and Miichan and the combination of their vocal profiles, listening to Dasoku solo on this is pretty good too. Dasoku emphasized more on the slightly bittersweet feelings in this song, choosing to match his vocals to the rock beats and lyrics, instead of pulling out his sexy voice, which I think is suitable. I also noticed the extra lyrics at the end, which wasn't present in the Clear x Miichan version.

ネバーランド by 【蓮】

I like Ren's voice in general, and I think he's pretty versatile, but I can't help but think that this song doesn't highlight his voice. But I could be wrong since this is my first time listening to this song. Mhn, how should I put this...I guess I imagined that Miichan would be better suited to this song rather than Ren. It's good, but I still think his voice is better highlight in other songs.

Somatic Delusion by 蛇足 & 【蓮】

One of my favourites from Nem. This song had a high bar in terms of expectations, since I first heard Michamu sing this, and I loved that version SO MUCH! It was good, in a different way. I loved Michamu's version purely due to the combination of their vocals. The harmony was much, much better between them, since Amu and Miichan's vocals are essentially very different, so they accentuate each other's vocals when they harmonize. Between Dasoku and Ren, I couldn't really hear the harmony, whether it was due to the recording, or the fact that their vocal profiles were somewhat similar to begin with. But I would say I got a very different interpretation of this song. With Michamu, the song sounded somewhat sweet, as though a pet sang this to its master, clamoring for attention. But 1122 gave this song a much more adult, mature tone. I guess I would say it's very...otona (大人). Personally, when you listen to the lyrics when Dasoku and Ren sing, you definitely don't get the pet image. No, you get a completely different image in your head, if you get what I mean. So yes, different interpretation, but just as good.

シザーハンズ by ふぁねる

Another one of my favourites, and I've heard so many versions that I don't think it's fair to compare Faneru's to all the countless covers out there. Faneru's range is typically high, and his singing style somehow makes me think of his voice as adorable. Now, this song is meant to be sad and kind of lonely, but listening to Faneru's vocals made me think this song was cute. This is especially apparent at the higher parts. I guess the way to say this would be that it sounds kind of...naughty? I think it's pretty good in its own right.

名前をください by Gero

First off, this is another new song to me. The lyrics are very sad. The melody and composition are very sad. Add Gero's heartbreaking voice to that. You get a song which gives you a lot of ow...especially during the chorus. Gero has one of the most versatile vocal profiles I've heard among the utaite (imho of course) and when he sings ballads, it has a very clear, heartbreaking quality. With this song, it sounded as though he injected a very personal touch and really meant the lyrics of this song, which is really...a lot of ow. One of the better songs yet.

サマーレイン by ふぁねる & Gero

One of my favourites, first heard on PointFive's Enhance by Asamack, and then heard again in osanajimi's First Contact. Each version had a slightly different profile, but I'll use Asamack's version as a point of comparison. NeGero had always come off as a baka-baka pair to me ever since I saw that NeGero Magnet and Hitobashira Alice. But I think it's a very refreshing change to hear them sing a ballad together. Asamack gave the song a very warm feeling, with Asamaru and Jack's vocals being more well-blended. In this version, Gero's vocals grounded the song a lot, so at some parts, it does sound like Faneru's vocals got overpowered. But this version sounded more setsunai (切ない). There is a sense of melancholy underlying the song, giving it a slightly different interpretation compared to Asamack's version.

宵闇のアウグスティン by clear

I think Clear's vocals have come a long way from his trademark clear, transparent voice. Now it has a lot more depth, making this song quite dynamic. This was a new song to me, and listening to the lyrics, I imagined that if Clear has sung this with that resounding transparent voice, it would sound beautiful, but flat. For a song like this, I imagine a little attitude would be highlight the emotional nature in the song and make it easier to connect with, and Clear delivered it well.

スターマイン by nero

From this point onwards, they're all new songs to me. Hmm...in Nero's case, I haven't heard that many songs from him, so I can't quite say much about that. If you asked me whether the vocals suited the song, then I would say yes. Nero's vocal profile is similar to Clear's, but a lot fuller, and he sounds a lot more mature as well. The song itself has a beautiful composition, and I think Nero did a good job, but it lacks the kind of satisfaction I get from listening to the other songs. I couldn't really connect to the song, and I found the fireworks in the middle distracting.

予感 by clear & nero

Haha, I couldn't help but think that this song was made for osanajimi. This song fully exploited the beautiful voice profiles from both Clear and Nero. Their voices compliment each other well, and the harmony is subtle but sublime. Clear's vocals came through more readily, but Nero's vocals added substance to the song, since if Clear sang this solo, I get the feeling that the whole song might just float off. The chorus is especially good, where their voices blend together. I would recommend this to osanajimi fans.

さようなら by あさまる

Asamaru's voice is rather unique in that it doesn't sound very melodic, nor does it have that breathy, sexy vibe, but it gives me the impression that this is exactly how I would imagine a Japanese singer's voice to sound like. I can't quite put it in words...but if I were to describe as a flavour, it would salty-sweet? With a voice like that, the song sounded more mature, more soulful. And it made the song sound very beautiful and full-bodied as well.

楽園 by じゃっく

Jack has a slightly shounen-going-on-to-seinen voice, with a very distinct resonant sound. When I listened to this, I get a very heartwarming feeling of being at peace, and I would say it is a highlight of this song. The bridge brings out Jack's clear and stable vocals, and as he sings the final chorus, you get a slightly sweet feeling, very much like reminiscence.

あやつりピエロと君の歌 by あさまる & じゃっく

It's a very interesting song, and having it sung by Asamack highlights the sweetness, accompanied by a touch of playful reminiscence and a dash of bittersweet nostalgia. Their voices are well-matched to the song, and their vocal profiles are different enough that it sounds like the two of them are singing a story to you. I really like this combination.

And well, that's what I think about this album. I would really recommend this album, since it has a good selection of songs, with a mix of upbeat, fastpaced songs and beautiful ballads. Nem is a really talented composer imho, and I hope that we'll see a continuation to the works he's producing.